“Bamse” (“A Lucky Man”) Credit: Nordisk Film Two WWII dramas – “The Bereaved” by Anne-Grethe Bjarup Riis and “Out of Darkness” by Anders Refn … ranked 5 th and 7 th among top local titles, while Lars Kaalund’s romantic drama “Hold My Hand,” starring Mille Dinesen and Ulrich Thomsen, sneaked in at No. Another local comedy – “All for Four” – or the four instalment in Rasmus Heide’s buddy movie, sold nearly 300,000 tickets. Niels Arden Oplen’s drama “Rose,” starring “The Killing” actress Sofie Gråbøl was the second biggest local hit, followed by the comedy “Fathers & Mothers” by Paprika Steen, turning on the challenges of parenthood and being parent class reps. The biopic was among four local movies – all Nordisk Film releases – that secured a spot in a Top 10 otherwise fully Hollywood dominated. Berthelsen as the Danish music legend Flemming “Bamse” Jørgensen. The top Danish title was “Bamse” (“A Lucky Man”) by Henrik Ruben Genz starring Anders W. nations, thanks mainly to the fact that “Danish movies account for a large share of the tickets sale year after year.”Īnd again in 2022, local titles grabbed 30% of the market from over 3 million admissions. Martin Kofoed Hansen, an analysis consultant at the DFI, said that on the whole, the Danish theatrical market recovered relatively well from the pandemic compared to other E.U. Despite its late 2022 release, “Avatar: The Way of Water” gave Disney the second spot at the Top 10, with 481,000 admissions worth DKK 69.3 million ($10.06 million) grosses. The highest grosser was “Top Gun: Maverick” which locked 791,000 ticket sales or DKK 91.6 million ($13.29 million) in income. Hollywood titles came back in force after two low-key pandemic years, and grabbed 58% of the Danish market, almost on par with 2019 levels. Revenue-wise, the Danish market hit DKK 994.67 million ($144.3 million), up 52% from the 2021 annus horribilis for cinemas, but just 16% down on the 2019 trawl, according to the Danish Film Institute (DFI), and based on figures from cinema association FAFID.
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